Alaina’s blog Thoughts, Assignments, and Other things

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Final Project: Shield

Day One

I began researching shields and their correct size based on the images provided. I went with a Celtic-looking shield with some very beautiful knotwork. When looking up the sizes, typically most rounded shields, flat or otherwise are around 30″ to 36″ in diameter. So I began by measuring out a suitable diameter for my size, which was around 30″. I then took a string and created a perfect circle template for my shield. When I went home that evening I began cutting out two pieces of cardboard that would act as the foundation of the shield.

Day Two

I then glued two pieces of cardboard together, at first it was a bit tricky because I had included just a small enough curve to give it an illusion, but the hot glue would not stick, so I opted to use crazy glue. It worked. I took my Ipad and started tracing the Celtic knots. I discovered that I could trace them onto some foam and I put that down.

In class, I used the variform to mold a half circle for the center of my shield. It is lightweight and easy to use. When I got home I marked one-inch sections along the bottom for when I glue it to the main part of the shield. Then I began using sculpticoat and silver tissue paper to create a smooth surface. once that was dry I cut the one-inch tabs. Once that was done I painted both sides of the cardboard black, wanting a solid base to start planning out things. I then glued flat cardboard onto the edge of my shield for a nice clean finish.

https://drive.google.com/drive/folders/1VEWo2uEWmN0MM1hJOKvxwB34b6-tdPnL?usp=sharing

Day Three

I glued on a handle for the arm and the hand to hold on to. It was based on where I would place the four main knots. It was easy to guess where would be the most comfortable, and where I would get the most movement for it if I was on stage. I then glued the centerpiece on. Later I take it off because it is slightly off-center. On the centerpiece, I glue an inch of foam to make a spot for the chords to sit properly.

https://drive.google.com/drive/folders/10VEFiyEYq0G21tsF1PFw3K8SJUpNgkPU?usp=sharing

Day Four

I began cutting out more foam pieces for the knots as well as pieces for the middle marker. Once those were done I glued them down, being careful to refer to the original image. I then sculpticoated everything. Once that was dry I began painting, using colors as a way to make the foam look like metal. I layered the paint. Once that was dry I started adding more golden paint, making it shine brightly. Once that was dry I glued on the rope, painting it gold to match the rest. While that dried I began painting on the runes, careful to copy them exactly. When that dried, I flipped over the shield. I had been having issues with the handles staying on, so I used a combination of superglue, hot glue, and duck tape to secure the straps. then I sculpticated it so that once it dried there was no way that it would ever come off. I also paper-matched the handles to look like leather, using techniques that we had used in previous projects. When that dried I sealed it with the last bit of sculpticoat I had.

https://drive.google.com/drive/folders/18jn5xl5VKdu7MxQArSaJB89jo2vvo4f_?usp=sharing

I enjoyed this semester and learning about new ways to complete things. I also enjoyed working with various forms of thermoplastics. My favorite thermoplastic would have to be viraform. I feel like I have a lot more to learn about it. I also love scultpicoat. It is so cool that it turns into plastic when dry.

Worbla Gauntlets

Day One

On day one we started working on the Worbla Gauntlets. First, we took plastic wrap and taped our arms so we can get a correct measurement. After I cut it off, I roughly sketched out the correct shape based on the sketch the Designer provided. I had marked where the band would end on my arm, and used that as the center of the gauntlet. I then marked where my wrist bones began so it would rest snuggly against my arm. Then I cut out the pattern and traced out the gauntlet shape in black foam.

Day Two

On day two I traced out the gauntlet shape on Worbla, it was a bit hard to cut, but once I did I began using a heat gun to mold the thermoplastic to the foam. The goal was to make them as identical as I could, it was difficult to get them to match. One gauntlet’s worbla began to bubble a bit because I kept trying to get the perfect rounded shape, but I ended up stopping to prevent the worbla from burning. I then used a metal skewer to poke six holes, three on each side of the gauntlets. This was to allow me to lace them tightly to my forearms. I left them to cool, and later on, in the day I can back and painted two layers of black acrylic paint as a base coat.

Day Three

On day three I came in and applied a thick layer of sculpticoat on the inside of the gauntlet so it would be a bit stiffer. As I let that dry I started attempting to sculpt a lion’s head out of Crayola air-dry clay. It was really interesting and quite fun. It was really light and flexible, allowing me to gently place it on the gauntlets as I went to ensure that they were proportional. I even discovered I could cut the clay so I could have sharp pieces of main for the lion to add some contrast to the ground shape of the gauntlet. I then rolled out six half circles to keep close to the design provided. once that was done, I took the piece of worbla we had been given the first day of class and painted it black, then I tested the different silver paints I had so I could figure out which one best suited the project.

Day Four

I took silver trim and went along the top and bottom of the gauntlet. At first, I only used one piece, but it felt a bit too small for the proportions, so I decided to try doubling it up. I really was worried about it looking odd, but I ended up loving it. Then I cut out the flower from some lace I had found, I wanted to add a bit of texture under the lion, the image we had been given looked very busy and like there was more detail underneath the lion’s head. I figured it would be a nice texture contrast. I made sure to use just enough sculpticoat to keep the fabric texture. While that died I began painting the lion heads and half circles a really shiny silver. Once those were set to the side to dry, I began painting over the silver trim to match, I really liked how it changed the texture, but still had a nice shine. I then paused for a bit to allow everything to dry fully.

I then began painting the lace the same silver as everything else. Once that was dry I then began hot-gluing the lion head and circles to the gauntlet. Once everything cooled again, I took the same pattern I used for the foam and cut out some pieces of felt for the inside so it would be soft and comfortable. I then put a thin layer of glossy top coat onto the black portion of the gauntlet, leaving the other paint open to give a different textured effect. I used some bead chords to lace them and once they were a bit tighter they didn’t move at all. They felt very comfortable, and not too heavy or bulky. I think I met the assignment by using worbla successfully, and I learned that I enjoyed using this over the wonderflex. I think it was easier to handle and I liked the texture of this more when cooled. It held onto the acrylic paint better. I did notice that the hot-glue softened it a bit so I had to be more careful when pressing to make the trim more flush. I do think that the lion heads look a bit cartooney, but for working with this type of clay for the first time, I am proud of myself. I also like working with silver paint a bit more than gold, the shine is quite satisfying.

Day Four of Crown Project

This day I spent time looking through things around the house and collected some crystal beads and findings that my mother and I have collected for a while. They added lots of texture and shine to the crown as well as a weight that makes the crown feel very solid. Once that was gathered, I began working on a pellon and fake crushed velvet dome for the inside of the crown. First I measured out the inside of the crown, then added 5/8″ of a seam allowance, giving me plenty of room to manipulate the hat into a circular shape. I repeated the process twice with the crushed velvet, creating a soft look.

Ion Plates

Character Analysis

Ion- He is the unknown child of Kerousa. He did not have a name until after Xouthos received a prophecy. He worked as a caretaker of Apollo’s temple. He becomes the son of Xouthos after Apollo gifts him to Xouthos. He is a devoted man to Apollo, believing that Kerousa is sullying Apollo whenever she curses or speaks ill of him. When he has an attempt on his life he is quick to want revenge. Only after learning that Kerousa is his true mother does he feel worth.

Kerousa- Was assaulted by Apollo and abandoned Ion in order to protect herself and her family name. She feels a deep regret as she aged and married. Her want for children is fueled by the loss of Ion as a baby and wanting to keep up with social expectations by providing a worthy heir to the thrown.

Xouthos- Wants an heir of his own. Believes Ion is his flesh and blood due to a prophecy given to him at Apollo’s temple.

Chorus- The voice of the audience. Handmaidens of Kerousa.

Old Man- Slave of Kerousa. Wants to serve his master and to bring honor to her family name.

Servant – Messenger that alerted Kerousa of Ion surviving her poisoning attempt and that the kingdom was after her.

Priestess of Apollo- Raised Ion and stopped Ion from slaying his mother. Delivers messages from the gods. Helped confirm Athena’s claims by showing them what Ion was delivered in by Hermes.

Athena- She is a goddess who stopped Ion from harming Kerousa, telling them of their true origins.

Hermes- He narrates the beginning of the story, delivering Ion by Apollo’s orders to the temple of Delphi.

Concept and Production statement for Ion 


Euripides Ion is a fantasy play about how the gods manipulate the lives of the humans around them. This tragedy takes place in Ancient Greece and is about a man who was raised in a temple of his godly father while believing he was a child of no one. This brings to mind images of marble temples, god-like statues, and the flowiness of clothing. Ion learns in the end that he not only has a god for a father but a Queen for a mother. The found family troupe with a happy ending is rare in greek tragedies. The story of servent turning royalty is a story that people often picture themselves in, wanting an adventure that brings the family, connection, warmth, and found self. The suspense that follows the main characters brings forth the feeling of anxiety, worry, and the desire to connect with family.

Clothing used for Character Designs

Chorus

Kerousa 

Xouthos 

Priestess of Apollo

Athena 

Hermes

Old Man

Servant

Ion

Play Analysis

I. Where are they?

It takes place in Ancient Greece 

1. Exact geographic location.

The play takes place in, around, and near the Temple of Apollo in Delphi. 

a. What images do those evoke?

Greek marble statues, loose flowy cloth, gold, and silver jewelry represented the different gods. Marble and cobblestone roads. 

b. how does this affect mood?

It makes the play feel magical, mysterious, and timeless. 

c. suggests what colors, images, and textures?

Royalty tended to wear richer colors due to having the ability to afford the expensive dyes while the lower the class of a person, the more natural the colors were of their clothing. Royalty wore reds, purples, and golds. The middle class had more blues and tans, then the lower class wore browns and whites. 

II. When are they?

The play was written around 414-412 BC. So I would assume that the play occurs around then, if not earlier. 

a. are there parallels to other times

There was a revolt during the time this was written. The tension between Ion and Creusa could represent the conflict between the people. 

b. why did the author set it there

There was also discourse between Athens and the people of Ionia. Much like there was issues between the two during the play. 

c. what was happening in art, music, politics, theatre

Discourse between Athens and the people of Ionia. “Alcibiades must leave Sparta, accused of having had an affair with the wife of king Agis and of being the father of her son” (Suzanne) 

III. Who are they?

Ion- The son of Kerousa and Apollo. He was left to die after his mother gave birth to him. Apollo sent for him to be left at his temple where he grew up as a caretaker of the temple. He was given to King Xouthos in order for him to claim his rightful place on the thrown. 

Kerousa- Queen of Athans, and mother of Ion. Unable to have any other children. Abandoned Ion because she did not want to be shamed by her family. Did not know Ion was her son until the gods intervened when she tried to kill him for attempting to join the royal family. 

Xouthos- King of Athens. Adopted father of Ion. He is the grandson of Zeus. Wanted a son to carry on the family legacy. 

Chorus- the servants who are handmaidens of Kerousa. They follow her around and are the voice of the audience. 

Old Man- He is the slave of Kerousa. 

Servant- Warns Kerousa that she had been found out with attempting to kill Ion

Priestess of Apollo- Raised Ion. Priestess of the temple of Apollo. 

Athena- Stopped Ion and Kerousa from killing each other. Stepping in to fix the error of the gods. 

Hermes- Narrator of the story, he delivered Ion to the Priestess when Kerousa left him to die. 

1. Relationships and socio-economics.

Ion- the son, temple cleaner, royalty 

Kerousa- The mother, the wife, the queen, Royalty

Xouthos- King, husband, stepfather, Royalty

a. colors, images, texture associated with socio-economics.

Royalty tended to wear richer colors due to having the ability to afford the expensive dyes while the lower the class of a person, the more natural the colors were of their clothing. Royalty wore reds, purples, and golds. 

The middle class had more blues and tans

 The lower-class wore browns and whites. 

2. Under what government.

Under the Athen government

IV. What happened before the play began?

Kerousa was raped by Apollo. She abandoned him in a cave in order to not bring shame onto her family. 

V. What do the characters think about their world?

Ion- believes in the gods, and worships Apollo greatly as he was raised within a holy place. 

Kerousa- Feels attacked by the world and by the gods due to being assaulted as a young girl. Most likely felt like her own husband was against her when first meeting Ion. 

Xouthos- Wanted a son, believes heavily in the god’s words. Trusted that Ion was his flesh and blood. 

VI. What is the function of each character?

1. Who is the protagonist?

Ion is the protagonist. He is the result of the antagonist. Without him there would not have been a sort of resolution where everyone wins. 

a. does this character suggest images, animal, color, texture

His colors go from white and simple to ones of reds and purples. Hard white sharpness to soft dark colors. 

b. how do they grow

He goes from a temple caretaker to a prince with a godly father. 

c. what is their objective

To not be killed by Kerousa and to find his family. 

2. Who is the antognist?

Apollo and the other gods. They have mettled with the human lives. 

a. does this character suggest images, animal, color, texture

b. how do they grow

They do not. They will continue to mess with humans and their affairs. 

c. what is their objective

To be gods, to receive worship and praise. 

3. Which characters lead and which support?

The leads are Ion and Kerousa. Their actions fuel the play and bring forth change that other characters do not. Hermes, Xuthus, Chorus, Old Man, Servant, Priestess of Apollo, and Athena are all supporting characters. Their actions can have influence, but other than the god characters, everyone just has moments of supporting either Ion or Kerousa. 

a. does this character suggest images, animal, color, texture

Kerousa has mentioned snakes several times throughout the play. They were guardians and part of her culture. Making her feel smooth and cool. 

b. how do they grow

She regrets leaving Ion as a newborn and wishes to have her child back. 

c. what is their objective

She wants to have children with Xouthos, but learns that she is unable to have any other children. 

4. Identify and describe stereotypical characters.

Ion- Just wants answers as any child tossed away by their parent. Learns that his parents are both of high status/godlike in the society that he lives in. Pawn of the gods

Kerousa- Made a bitter mistake/ traumatic event that haunts her throughout her life. Reconnects with the child she tossed away for the betterment of her own life. Pawn of the gods

Xouthos, Chorus, Old Man, Servant, and Priestess of Apollo- they believe in the gods and their wrath of them for disobeying those of power. Pawns of the gods.

VII. What is the dialogue mode?

The dialogue mode is understandable and simple due to the version we read is a simplified version. It still held a lyrical vibe to it. 

a. sense of movement and lyric quality

This play is very very lyrical and flowed nicely. The story was moving and entrapped the reading, with the need to know if Kerousa would learn that Ion was her real son. 

1. Naturalistic

Even with this taking place in the world of the gods, the story of a mother giving up her child only to meet years later does occur more often than people think. It happens regularly in today’s society. 

 3. Poetic

This play is very poetic, with its flows and ebbing of language use. 

4. Sound and grammar (how do they speak)

Due to this being a simplified version, it is a more modern-feeling than it was read through a word-for-word translation. It is a very formal way of speaking still and makes it feel older than if it occurred today. 

5. Ambiguity

VIII. What is the play’s action?

Ion and Kerousa face off to kill each other, only to find out they are family. 

1. What happens in the play?

Ion is abandoned by his mother and left to die. Apollo, his father sends his brother Hermes to bring Ion to the temple of Apollo. Years later Kerousa and her husband, Xouthos, go to the temple to see if they will have children. Xouthos gets the prophecy that the first man he sees will be his son, of flesh and blood. Xouthos sees Ion and believes him to be his son granted by Apollo. Kerousa is threatened by Ion and tries to kill him, Ion finds out and attempts to kill her before she could try again. Athena pops out and tells the pair the truth, that Ion is Kerousa’s child. 

a. repeating motifs, ideas: flowers, death, water, birth

Snakes and their protection. Dishonor and Death. 

b. which images are central or represent the theme of the play

c. how do images change from scene to scene

2. Create an action chart

a. Stasis- Hermes describes what had happened before the play, setting up the rest of the play. 

b. inciting incident- Kerousa and Xouthos going to the temple to see if they will be able to have children. 

c. complications (rising action)- Xouthos believes Ion to be his son, Kerousa feels threatened by the presence of someone who could take away everything from her. 

d. Climax- Kerousa tries to poison Ion but was discovered, Ion chased after her willing to try to kill her. 

e. falling action (dénouement)- Ion and Kerousa learn through Athena that they are actually mother and son. 

IX. What is the play’s theme?

“Both thematically and metrically, Ion is quite similar to Iphigenia in Tauris, Helen, and the now-fragmentary Andromeda and Hypsipyle—all of them written at about the same time—in that it dramatizes a little-known myth (or aspect of a myth) in a non-Greek or exotic setting (Crimea, Ethiopia, Egypt, Delphi) and features “a story of lovers or long-lost relatives united or reunited, intricately plotted revenge actions, catastrophe narrowly averted, and thrilling escapes” (GreekMythology)

X. Why did the author write the play? Which aspect of the human condition

were they trying to illuminate?

He wrote the play to reflect on what was occurring around him. There was a power shift and war. He wrote about the birth of a character through assault, and the mother’s will to live a life where she was not burdened by that trauma. They face conflict due to the god’s manipulation. Ion wanted to connect to family, eagerly attaching to Xouthos whom he believed to be his birth father. 

XI. Make some statement as to the general visual world of the play, based on all of

the above.

GreekMythology.com, The Editors of Website. “Ion”. GreekMythology.com Website, 03 Jan. 2020, https://www.greekmythology.com/Plays/Euripides/Ion/ion.html. Accessed 22 April 2022.

“Ion – Euripides – Ancient Greece – Classical Literature.” Ancient Literature, 11 Jan. 2022, www.ancient-literature.com/greece_euripides_ion.html#:~:text=%E2%80%9CIon%E2%80%9D%20is%20a%20tragedy%20by,being%20abandoned%20as%20a%20child.SUZANNE, Bernard F. “Chronological History of Greece in the Vth and Ivth Centuries BC.” Chronological History of Greece in the Vth and IVth Centuries B. C., 1999, www.plato-dialogues.org/tools/chrono.htm.

wish list

May

Eddie

Martin

Old Man

May

Starting 1: White T-shirt, blue skirt, anklet

Change 2: Black bra and Black Underwear

Change 3: Red wrap dress, brown hose, strappy high heels, purse

Eddie

Starting 1/2/3: Faded blue jeans, orange cowboy shirt, cowboy boots with tape, leather belt, belt buckle

Old Man

Starting 1/2/3: Jean Overalls, yellow plaid, old shoes, flat-brimmed hat

Martin

Starting 3: Dark Blue janitorial uniform, brown work boots, grey undershirt

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